Kevin Zhu, New York City

Kevin Zhu

Violin

“Absolute virtuosity, almost blinding in its incredible purity.” L’ape musicale

Photo: Kyle Flubacker
First Prize
Yehudi Menuhin
Competition
2012 · age 11
First Prize
Paganini Competition,
Genoa
2018 · age 17
Recipient
Avery Fisher
Grant
2021
Studied with
Itzhak Perlman
& Li Lin
The Juilliard School
Performs on
c. 1700 “ex-Petri”
Stradivari
Ryuji Ueno Foundation
Biography

A rare synthesis of spontaneity, discipline, and expressive depth

Kevin Zhu
Photo: Kyle Flubacker

American violinist Kevin Zhu has emerged as one of the most compelling artists of his generation. A musician of brilliant technical command and uncommon narrative instinct, Zhu brings to the stage a rare synthesis of spontaneity, discipline, and expressive depth. His playing has been praised for its “infinite delicacy” and “wild intensity” by RTBF Belgium, while L’ape musicale noted his “absolute virtuosity, almost blinding in its incredible purity.” Beyond the brilliance, critics have recognized a depth of soul and character that distinguishes his interpretations.

The 2026/27 season marks a significant expansion of Zhu’s international profile, with major concerto appearances in North America, Europe, and Asia. Highlights include his debut with the Vancouver Symphony Orchestra in Shostakovich’s Violin Concerto No. 1, his Hong Kong Philharmonic debut in Brahms’ Violin Concerto, and further collaboration with the Prague Philharmonia. His recital season includes appearances at Artis—Naples and the Dresdner Musikfestspiele, as well as further performances worldwide. Zhu also continues his collaboration with French composer Hugues Reiner, following the 2025 world premiere of Reiner’s first violin concerto in Paris.

Recent seasons have shown Zhu’s striking range as a storyteller. In 2025/26, he appeared with the Winnipeg Symphony Orchestra in Bernstein’s Serenade (after Plato’s “Symposium”), performed Shostakovich’s Violin Concerto No. 1 with the China National Symphony Orchestra in Beijing’s National Centre for the Performing Arts, and Waxman’s Carmen Fantasie with the Sofia Philharmonic in Bulgaria. He also brought Paganini’s complete 24 Caprices on tour in South Korea.

In June 2025, Zhu returned to the Dresdner Musikfestspiele for Dvořák’s Violin Concerto with the Prague Philharmonia and Emmanuel Villaume at Dresden’s Frauenkirche. The performance drew exceptional notice in the German press: Sächsische Zeitung wrote that Zhu devoured the work with “musical appetite,” reveled in its folkloric character, and handled its most difficult passages with “dreamlike confidence”; Dresdner Neueste Nachrichten described him as “simply brilliant,” while also emphasizing his sensitivity to the concerto’s hidden inner life. The performance followed Zhu’s earlier Dresden appearance with Paganini’s 24 Caprices, further deepening his connection to one of Europe’s most important festival cities.

Zhu first gained worldwide attention at age 11, taking First Prize at the 2012 Yehudi Menuhin Competition in Beijing. Six years later, age 17, he won First Prize at the 55th Paganini Competition in Genoa, Italy. He is also a recipient of the 2021 Avery Fisher Grant, and has received further recognition from Salon de Virtuosi and the Queen Elisabeth Competition.

The Paganini lineage remains a defining thread in Zhu’s artistic life. He has performed on Paganini’s own violin, the legendary “Il Cannone” Guarneri ‘del Gesù’, and his performances of the complete 24 Caprices have become an evolving artistic project, revealing a performer as interested in character and narrative as in technical conquest.

Zhu’s career has taken him to renowned halls and festivals across the globe, including Konzerthaus Berlin, London’s Royal Festival Hall, the Forbidden City Concert Hall in Beijing, the Esplanade Concert Hall in Singapore, Bozar Brussels, The Kennedy Center, and the Auditorio Nacional in Madrid. He has appeared with orchestras including the Dresdner Festspielorchester, Prague Philharmonia, Antwerp Symphony Orchestra, Belgian National Orchestra; the China Philharmonic and NCPA, National Taiwan Symphony Orchestra, Hong Kong Sinfonietta; Winnipeg Symphony Orchestra, Colorado Springs Philharmonic, Orchestra del Teatro Comunale di Bologna, and the Polska Filharmonia Bałtycka.

Kevin Zhu was featured on ABC Eyewitness News, BBC Radio 3, RAI Radio 3, and the Violin Channel. He serves as Culture Ambassador of the Lin Yao Ji Music Foundation of China. He studied with Itzhak Perlman and Li Lin at The Juilliard School.

Zhu performs on the c. 1700 “ex-Petri” Antonio Stradivari violin, on loan from the Ryuji Ueno Foundation and Rare Violins In Consortium, Artists and Benefactors Collaborative. He is represented worldwide by Sheldon Artists.

Critical Acclaim

What the press is saying

“This 25-year-old American violinist is no ordinary musician.”
“Kevin Zhu restored us to the true meaning of value.”
Le DevoirChristophe Huss, June 2026
“Kevin Zhu delivered an absolutely stratospheric performance.”
“It was absolutely sublime.”
RTBF / Musiq3Pierre Solot, June 2024
“A true lesson in fine craftsmanship. He has absolute command of his instrument.”
RTBF / Musiq3Pierre Solot, May 2024
“Absolute virtuosity, almost blinding in its incredible purity.”
L’Ape musicaleAlberto Spano, Teatro Comunale di Bologna, April 2019
“Simply brilliant.”
Dresdner Neueste NachrichtenDvořák Violin Concerto, Frauenkirche Dresden, June 2025
“He handled the most difficult passages with dreamlike confidence.”
Sächsische ZeitungDvořák Violin Concerto, Frauenkirche Dresden, June 2025
Kevin Zhu performing
A Defining Thread

The Paganini Lineage

Few violinists of any generation carry a claim to Paganini as direct as Kevin Zhu’s — and fewer still treat the repertoire as an artistic project rather than a display of conquest.

  • First Prize, 55th Paganini Competition, Genoa, at age 17 — the competition’s highest honour
  • Has performed on Paganini’s own violin, the legendary “Il Cannone” Guarneri ‘del Gesù’
  • Returns to Paganini’s native Genoa in 2026/27, opening the Teatro Carlo Felice’s Paganini series with the Concerto No. 2 ‘La campanella’ under Jordi Bernàcer
  • Presents the complete 24 Caprices, Op. 1 as a standalone touring recital — an evening-length solo program performed by only a handful of artists worldwide
  • Recent Caprices performances include a national tour of South Korea and the Dresdner Musikfestspiele
  • Concerto repertoire includes all three Paganini concertos, Nos. 1, 2, and 3
Watch & Listen

Performance video

Momentum

Recent & upcoming highlights

2026/27
Vancouver Symphony OrchestraDebut · Shostakovich: Violin Concerto No. 1
2026/27
Hong Kong PhilharmonicDebut · Brahms: Violin Concerto
2026/27
Teatro Carlo Felice, GenoaPaganini: Concerto No. 2 ‘La campanella’ · Bernàcer
2026/27
Prague PhilharmoniaContinuing collaboration
2026/27
Artis—NaplesRecital
2026/27
Dresdner MusikfestspieleRecital
2025/26
Winnipeg Symphony OrchestraBernstein: Serenade (after Plato’s “Symposium”)
2025/26
China National Symphony OrchestraShostakovich No. 1 · NCPA, Beijing
2025/26
Sofia PhilharmonicWaxman: Carmen Fantasie
2025/26
South Korea tourPaganini: complete 24 Caprices
2025
Hugues Reiner: Violin Concerto No. 1World premiere · Paris
June 2026
Montreal Chamber Music FestivalOpening night · Salle Bourgie
June 2025
Dresdner MusikfestspieleDvořák Concerto · Prague Philharmonia / Villaume · Frauenkirche
Repertoire

Concerto list

Bach
Concerto for Two Violins in D minor, BWV 1043
Beethoven
Triple Concerto in C major, Op. 56
Bernstein
Serenade (after Plato’s Symposium)
Joseph Bologne
Concerto in A major, Op. 5 No. 2
Brahms
Concerto in D major, Op. 77
Bruch
Concerto No. 1 in G minor, Op. 26
Scottish Fantasy, Op. 46
Chausson
Poème, Op. 25
Dvořák
Concerto in A minor, Op. 53
Elgar
Concerto in B minor, Op. 61
Thierry Escaich
Variations Litaniques
Mendelssohn
Concerto in E minor, Op. 64
Mozart
Concerto No. 3 in G major, K. 216
Concerto No. 4 in D major, K. 218
Concerto No. 5 in A major, K. 219
Paganini
Concerto No. 1 in D major, Op. 6
Concerto No. 2 in B minor, Op. 7
Concerto No. 3 in E major, M.S. 50
Piazzolla
The Four Seasons of Buenos Aires
Prokofiev
Concerto No. 2 in G minor, Op. 63
Saint-Saëns
Concerto No. 3 in B minor, Op. 61
Introduction and Rondo Capriccioso, Op. 28
Sarasate
Carmen Fantasy, Op. 25
Shostakovich
Concerto No. 1 in A minor, Op. 77
Sibelius
Concerto in D minor, Op. 47
Tchaikovsky
Concerto in D major, Op. 35
Vivaldi
The Four Seasons
Waxman
Carmen Fantasie
Wieniawski
‘Faust’ Fantasy, Op. 20
Repertoire

Recital programs

75 minutes plus intermission

Paganini: 24 Caprices for Solo Violin, Op. 1

The complete cycle, performed from memory in a single evening — a signature project and one of the rarest solo offerings on the circuit.

New for 2026/27
Program 2 · With piano

Hungarian Dances & Viennese Waltzes

  1. Brahms: Selections from Hungarian Dances, arr. Joachim
  2. Grieg: Violin Sonata No. 3 in C minor, Op. 45
  3. Intermission
  4. R. Strauss: Waltz from Der Rosenkavalier, arr. Váša Příhoda
  5. R. Strauss: Violin Sonata in E-flat major, Op. 18
80 minutes plus intermission

Ballet Morning, Opera Evening

  1. Stravinsky: Suite Italienne
  2. Tchaikovsky: Two Pas de deux from Swan Lake, Op. 20
  3. Prokofiev: Suite from Romeo and Juliet, Op. 64
  4. Intermission
  5. Massenet: ‘Méditation’ from Thaïs
  6. Wieniawski: ‘Faust’ Fantasy, Op. 20
  7. Messiaen: Louange à l’Immortalité de Jésus, from Quatuor pour la fin du temps
  8. Waxman: Carmen Fantasie
75 minutes plus intermission

An American in Paris

  1. Gershwin, arr. Heifetz: Porgy and Bess Suite
  2. Ravel: Violin Sonata in G major
  3. Intermission
  4. Ives: Violin Sonata No. 3 — substitute: Copland: Violin Sonata
  5. Waxman: Carmen Fantasie — substitute: Milhaud: Cinéma-fantaisie, Op. 58b
60 minutes without intermission

An American in Paris — short form

  1. Gershwin, arr. Heifetz: Porgy and Bess Suite
  2. Lili Boulanger: D’un matin de printemps, Nocturne, Cortège
  3. Copland: Violin Sonata
  4. Ravel: Violin Sonata in G major
80 minutes plus intermission

Homage

  1. Ravel: Sonate posthume
  2. Fauré: Violin Sonata No. 1 in A major, Op. 13
  3. Intermission
  4. Ysaÿe: Poème élégiaque, Op. 12
  5. Franck: Violin Sonata in A major
60 minutes without intermission

Homage — short form

  1. Ravel: Berceuse sur le nom de Gabriel Fauré
  2. Fauré: Violin Sonata No. 1 in A major, Op. 13
  3. Ysaÿe: Rêve d’enfant, Op. 14
  4. Franck: Violin Sonata in A major
60 minutes without intermission

Northern Lights

  1. Svendsen: Romance, Op. 26
  2. Grieg: Violin Sonata No. 3 in C minor, Op. 45
  3. Tchaikovsky: Valse-Scherzo, Op. 34
  4. Prokofiev: Violin Sonata No. 2 in D major, Op. 94bis
60 minutes without intermission · No piano

Solo Bach & Bartók

  1. Bartók: Sonata for Solo Violin, Sz. 117
  2. Bach: Partita No. 2 in D minor, BWV 1004
At a Glance

Halls, partners & media

Selected Halls & Festivals

  • The Kennedy Center, Washington DC
  • Royal Festival Hall, London
  • Konzerthaus Berlin
  • Bozar, Brussels
  • Auditorio Nacional, Madrid
  • Frauenkirche & Dresdner Musikfestspiele
  • Forbidden City Concert Hall, Beijing
  • Esplanade Concert Hall, Singapore

Instrument & Patronage

  • Ryuji Ueno Foundation
  • Rare Violins

Chamber Collaborators

  • Karen Gomyo, violin
  • Christoph Poppen, violin
  • Clara-Jumi Kang, violin
  • Lawrence Power, viola
  • Paul Neubauer, viola
  • Jan Vogler, cello
  • Carter Brey, cello
  • Louis Lortie & Sunwook Kim, piano

Media & Broadcast

  • BBC Radio 3
  • RAI Radio 3
  • ABC Eyewitness News
  • The Violin Channel
  • Culture Ambassador, Lin Yao Ji Music Foundation of China

Online

Representation

Kevin Zhu is represented
worldwide by Sheldon Artists

For availability, fees, and program discussion, please contact:

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